In the Dark Hours, Michael Connelly’s writing is recounted by Titus Welliver. Two Kinds of Truth and Desert Star are Titus’s best narrations. LAPD investigator Renée Ballard should combine efforts with Harry Bosch to find equity in a city scarred by dread and social distress after a deliberate executioner strikes on New Year’s Eve. There was a tumult in Hollywood toward the finish of the New Year’s Eve commencement. Working her late-night shift, LAPD analyst Renée Ballard endured the customary downpour of lead as many revelers fire their weapons up high. Just a short time after 12 PM, Ballard was called to a scene where a diligent auto retailer has been lethally hit by a shot in a jam-packed road party.
Ballard rapidly confirmed that the lethal shot could never have tumbled from the sky and that it was connected to another strange homicide, a case at one time worked by Investigator Harry Bosch. Simultaneously, Ballard chased naughty sets of chronic attackers, the 12 PM Men who have been threatening ladies and leaving no follow.
Ballard felt like she was continually running uphill in a police station permanently reshaped by the pandemic and late friendly turmoil. It was an office so hampered by idleness and low resolve that Ballard should go outside to the one criminal investigator she could depend on and he was ‘Harry Bosch’.
However, as the two inflexible investigators cooperated to find out where the old and new cases cross, they should continually have investigated their shoulders. They were following the fierce hunters and were prepared to kill to maintain their mysteries stowed away.
